Born 1963, Providence, RI; Lives and
works in Connecticut and New York
the Art Institute of Chicago, Chicago, IL MFA
Rhode Island School of Design, Providence, RI BFA
Rome Prize, American Academy in Rome, Rome, Italy.
Artist Residency, Claude Monet Foundation, Giverny, France.
John Simon Guggenheim Foundation Grant
Fulbright-Hays Foundation Grant/ Miguel Vinciguerra Award. Italy
Portrait Gallery, curated by Ilaria Bonacossa,
Museo d'Arte Contemporanea, Villa Croce, Genova, Italy
Brand New Gallery, Milan, Italy
Saccoccio, Eleven Rivington, New York, NY
Fiction: Joanne Greenbaum and Jackie Saccoccio,
Nerman Museum of Contemporary Art, Kansas City, Kansas
Corbett v. Dempsey, Chicago, IL project
Eleven Rivington, New York, NY
Philip Slein Gallery, St. Loius, MO
to One Eleven Rivington, New York, NY
Shades, Jeffrey Gibson / Jackie Saccoccio,
Samson, Boston, MA
Grid, Eleven Rivington, New York, NY
Intervention, Beatrice Room, RISD Gallery, Rome,
Transparency Black & White Gallery, New York,
Galerie Michael Neff, Frankfurt, Germany
Poetry Club, curated by Elizabeth Murray, New York, NY
Columns, New York, White Room Project
Wittels Gallery, New York, NY, Project Room
Moira Dryer Project, Eleven Rivington, New York, NY
Tom McGrath, Santi Moix, Jackie Saccoccio, Lucien Terras Inc, New York, NY
Let's Get Physical , Ventana 224, Brooklyn, NY
Idea of Realism curated by Christian Caliandro and Carl
D'Alvia, American Academy in Rome, Rome, Italy
curated by Elisabeth Condon and Carol Prusa, Schmidt Gallery at Florida
Atlantic University, Boca Rotan, FL, Aysa Geisberg, NY, NY, Lesley Heller
Workspace, NY, NY
& Cry curated by Vladimir Restoin-Roitfeld,
Sothebys S2, New York, NY
Sky curated by Karleen Sheehan, Fordham
University at Lincoln Center, NY, NY
To You But You Weren't Listening, Corbett v
Dempsey, Chicago Art Expo, Chicago, IL
Windows curated by Carroll Dunham, Addison
Museum of Art, Andover, MA
Collection curated by Edward del Rosario and
Jordan Isip, Nancy Margolis Gallery, New York, NY
Ferris, Andrew Gbur, Jackie Saccoccio, Eleven
Painting Show curated by Laura Raicovich,
Harris Leiberman Gallery, New York, NY
curated by Benjamin King and Rob Nadeau, ArtBlogArtBlog, New York, NY
Letter, Samson, Boston, MA
Generale en Manufacture Paris, France Centro Ricerche Accademia di Brera ex
Chisea di S. Carpoforo, Milan, Italy
curated by Jackie Saccoccio, RISD Museum of Art, Providence, RI
Life, curated by Franklin Evans and Omar
Lopex-Chahoud, Lehman Maupin Gallery, New York, NY
Just Want to Have Funds, Rema Hort Mann
Foundation, New York, NY
LM Gallery, New York, NY
curated by Nicole Cherubini for Samson Projects, Mexico City
Prints, curated by Polly Apfelbaum, ICPNY, NY
in Hand, curated by Michael Zahn, Non-Objectif
Sud (NOS), La Barralière, Tulette, France
Balls, organized by Jackie Saccoccio, Art
Production Fund APF Lab, NY
Goache and Goache Only, curated by Geoffrey Young Jeff Bailey Gallery
/ Andrea Meislin Gallery, New York,
L.A., Eleven Rivington, Santa Monica Convention Center, CA
I’m Sorry Josh Smith segment Greene Naftali, NY,
Fair, Eleven Rivington, Ice Palace Studios, Miami, FL
Sanctuary and The Scrum, curated by David Hunt.
Black & White Gallery, New York, NY
Painting, Ramapo College, Ramapo, NJ
Faculty: Past and Present, Woods Gerry Gallery, Rhode Island School of
Design, Prov, RI
American Academy in Rome, Rome, Italy.
Aperti, Romanian Academy, Rome, Italy.
Progetto Arte, Florence, Italy.
Museum of Art, Providence, RI. “Biennial Faculty Exhibition”
New York, NY “Colored Pencil”
Kunstverein, Oldenberg, Germany “Hands Up Baby, Hands Up”
Gladstone Gallery New York “00”
Michael Neff Frankfurt, Germany “Funny Girls: Sara Kane, Jackie Saccoccio and
Erben Gallery New York “Painting: Sara Kane, Jackie Saccoccio, Rachel Urkowitz
College, New York, NY. "Immediacies of the Hand: Abstract
Painting in New
New York, NY. Inaugural Exhition.
Fine Arts, New York, NY. "Can We Talk? / Mind the Gap: curated by Laura Stein
and Dike Blair.
Marcus Gallery, New York, NY. "The Baseball Show".
New York, NY. "S.I.B. Swelling Itching Brain", curated by
"Jackie Saccoccio's Seductive Antagonism", Exhibition Catalogue interview, Museo
d'Arte Contemporanea Villa Croce
Gianni, Ilaria, "The Ethereal of Humanity", Exhibition Catalogue essay, Jackie Saccoccio: Portrait Gallery, Museo d'Arte Contemporanea Villa Croce '
"Goings On About Town:Art, Moira Dryer Project", The New Yorker, February 3, p 8
Saltz, Jerry. "Moira Dryer Project", New York Magazine, January 30
Bush, Bettina. "Galeria di Ritratti Senza Volto", La Repubblica:Genova, January 24
Smith, Roberta. "Moira Dryer Project", The New York Times, January 17, p. C36
Corriere Mercantile, January 17
Repubblica, January 17
Rhodes, David. “Polychrome Fiction:Joanne Greenbaum/ Jackie
Saccoccio”, Exhibition essay, Nerman Museum of Contemporary Art.
Howard, Ridley. “On Painting and Rome: Interview with Jackie
Saccoccio”, Burnaway and Huffington
Post, May 8
“Abstraction With Attitude”, The Kansas City Star, August 11, pD1,D2
Exhibition catalogue, “L’Idea del Realismo”, p.
____, “Un’idea di realism
all’Accademia Usa”, Corriere della Sera, January 28, p. 12
Jerry. "Jerry Saltz's Top 10 Art Picks of 2012", New York
Magazine, December 2
Carol. "The Art World Blurred", The New York Times, October 26, p. C1
David. “Jackie Saccoccio Portraits”, Brooklyn Rail, May 26
Dickson. “Jackie Saccoccio at Philip Slein Gallery’s New Location”, West
End Word, May 22
Jessica. “In the Galleries – Jackie Saccoccio and Arthur Osver: A Centenial
Celebration at Philip Slein”, Riverfront Times, May 31, p.
Baker, Allese. “Jackie Saccoccio” Pick, Artforum, April
Jennifer. “Jackie Saccoccio Portraits”, TimeOutNY, April
Jerry. “Critics Pick: Skull Candy”, New York Magazine, April 2
Amei. “Carroll Dunham Opens Window For New Talent”, Art In America, March 12
Katya. “Saccoccio’s Color Mazes”, Bloomberg March
Worth, Alexi. "Let's Stay Lost", exhibition catalogue essay, Eleven Rivington
Cate. “Circular Take On Modernism”, The Boston Globe, March 6, p.
Charles. “Andrew Gbur, Keltie Ferris, Jackie Saccoccio”, Brooklyn Rail,
October 4, p.
Saccoccio: Abstraccion Sensorial," Ambientes, Issue 80, 2011, p. 46
Siclen, Bill. “ ‘Collision’ at RISD Museum celebrates the ephemeral and
experimental”, The Providence Journal, January 20, p.
Steven. “Collision”, Art New England , May/June.
Greg. “’Collision’ showcases scatter art at the RISD Museum”, The Providence
Phoenix, January 25, p.
Cate. “ The year’s top 10” and “A year of promising signs for local galleries
yielded 10 outstanding shows” The Boston Globe, December 29, p. g3-4.
Cate. “In Show, Controlled Chaos”, The Boston Globe, November 14, p. N6
Cate. “Wall To Wall Abstraction, TheBoston Globe, September 17, p. G4
Jerry. “Critic’s Pick”, New York Magazine. June 14, p. 156
Carol, “Watching Visions Unfold,” Inside Art, The New York Times, November
6, p. C26
Steven, “Mapping New Territory,” Art in America, March, p. 69-71.
Lower East Side,” Flash Art, March/April, p. 96-101.
on About Town,” The New Yorker, February 11 and 18, p. 30.
Stephen, “Off the Grid,” Gay City News, January 24, p. 12.
Steven, “Call and Response,” The New York Sun, January 17, p. 15.
Roberta. “Genesis I’m Sorry”. Art in Review, The New York Times,
Jerry, “ Maximum Voracity: Jackie Saccoccio’s Retinal Thought Storm”, Village
Voice, January 4, p. 43
Kristi, “A Fellowship in Rome”. Metropolis Magazine, June, p. 130.
Caracciolo, “Sul Colle del Gianicolo”, 24 Ore Ventiquattro Nov., pages 101-106
Aperti Exhibition Catalogue, Romanian Academy
Exhibition Catalogue, American Academy in Rome
Nikolaus. “Im Bretterwald: Jackie Saccoccio fordert Gedankenarbeit bei
Neff” in Frankfurter Rundschau, August 9.
Meghan. “Painting: Sara Kane, Jackie Saccoccio, Rachel Urkowitz” in:
Time-Out. (reproduction), November 30, p.92.
Klaus. “00” Drawings 2000 at Barbara Gladstone Gallery. Exhibition
On About Town "00" in: The New Yorker, July 31, p. 12
Nikolaus. “Heiter und bunt sei die Kunst” in: Frankfurter Rundschau,
Konstanze. “Dame in Grau und heiteres Farbenchaos” in: F.A.Z.
Holland "Immediacies of the Hand: Recent Abstract Painting in New
York" in: The New York Times, April 9, p. E40
College Immediacies of the Hand: Recent Abstract Painting in New York
essay by Carter Ratcliff
Grace "The Baseball Show" in: The New York Times, July 26, p. C23